“The Matrix” appears to be a film of superb filming. gravitation withstanding stunts. and an gratifying. action-filled secret plan ; nevertheless. through farther analysis. it becomes evident that it besides explicitly parallels Plato’s “Allegory of the Cave” . In both plants. the hero–the chosen. enlightened one–experiences three phases: imprisonment. enlightenment. and a newfound sense of duty.
In Plato’s “Allegory of the Cave” . people have been kept as captives in a cave since birth ; there they are held captive–tied up and unable to travel their caput side-to-side. On the cave wall in forepart of them. they see shadows of people and animate beings. made by the actions of “puppeteers” behind them. who utilize visible radiation from a fire to lead on their captives. Because this is all they have of all time known. this “shadowed” universe is perceived as world by the captives. In the same manner. every-day society–lawyers. office edifices. relationships–is all sham in “The Matrix” . This semblance. known as the matrix. is placed into humans’ heads to maintain them comparatively satisfied while they are being held confined by foreign machines ( contemporary puppeteers ) . which use human energy to power their AI systems. Both the “soon-to-be-enlightened” captive and Neo are tricked into believing that what they sense–what they hear. see. smell. touch. and taste–is existent.
In his fable. Plato reveals that one captive. a philosopher type. would finally get away from the cave into the existent universe: “When he approaches the light his eyes will be dazzled. and he will non be able to see anything at all of what are now called realities…He will necessitate to turn accustomed to the sight of the upper universe. ” In “The Matrix” . Neo is this captive ; he takes the ruddy pill and wakes up in a slimed cod. seeing the world of human being ( that worlds are grown by machines for energy ) . Soon. Neo. like the freed adult male from Plato’s fable. realizes the truth ; nevertheless. he does so after enduring from acute physical hurting ( he inquiries why his eyes hurt and throws up and passes out ) . This fact symbolizes metempsychosis. the disclosure of the true world and the realisation of former. ill imprisonment.
Finally. Plato contends. the freed captive from his fable would put aside his disgust in traveling back into the cave and really do so for the interest of the captives ; he would take the duty of uncovering to the remainder of the captives that their world is bogus. and that a higher truth–which he has found–exists. Likewise. Neo. the archetypical hero. accepts his undertaking as “the one” and sets out to free worlds from their machine-dominated being. We see this in the last scene. where he is informing person. via a phone booth. of the truth.
“The Matrix” brings to life–via amazing eyeglassess and particular effects–Plato’s Allegory of the Cave ; nevertheless. it is more than a mere direct version. where the cave is the matrix and the freed captive is Neo. Rather. it specifically incorporates and personalizes the hero’s journey by holding Neo move from his fantasy universe ( where he is held confined ) into a realisation of the truth. and so by giving him the necessary agencies and desire to distribute the intelligence to others ( a outstanding Christ-like original seen in the series ) . In this little sense. it is different from Plato’s “Allegory of the Cave” ; however. the film is a dramatic analogue to Plato’s fable. both symbolically and thematically.