In the verse form “London. ” the writer. William Blake. describes the wretchedness of hapless people in London. such as chimneysweepers. soldiers and prostitutes. to uncover the scene of development and societal unfairness and to show his hate of the city’s moral darkness with a melancholic tone. However. in “Composed Upon Westminster Bridge. ” William Wordsworth portrays. in a delighted and placid tone. the beauty and peace of a London’s forenoon seen from Westminster Bridge to demo his love to the metropolis and his longing for peace. These two writers both embody their positions in ocular images. but they create wholly different effects in tone and subject by the techniques of word pick and imagination.
In “London. ” the writer uses a batch of powerful repeat and words with intensions of agony. For case. the word chartered is used two times in the first two lines. This word alludes to flush the streets and rivers enduring under political subjugation. and the word hints at the suffering and dark life of chimneysweepers. soldiers and prostitutes in the undermentioned portion of the verse form. who are all ill paid. In lines 3-4. the word grade is used three times to depict the facial look of people. The Markss are of failing and suffering. which shows the suffering feelings of the oppressed. The writer writes what he sees in London. and establishes the drab tone of this verse form in the first four lines. In the following stanza. the talker hears the wretchedness of people in every call. voice and prohibition. The four utilizations of the phrase in every emphasize the deepness of the hapless people’s wretchedness. and “mind-forged manacles” reveals the great repression of the lowest categories by the church and the male monarch in line 8. The writer uses repeated words like chartered. grade and in every in these eight lines in order to do his linguistic communication more powerful and stress the relentless subjugation.
In the remainder of the verse form. the writer adopts a batch of imagination. For illustration. the call of the chimneysweeper covering the church is like a chill draped on a casket ; the suspiration of the deceasing soldier tallies like blood down castle walls. These illustrations of metaphor reveal the inhuman treatment of the society and the suffering lives of kids. soldiers and other tuging people. In these two illustrations. the writer has a deeper significance. He uses a value word “black’ning” before “church” because he thinks that the church is acquiring dark and it symbolizes a dark force of immorality. The church indirectly forces hapless kids to brush chimneys. As to soldiers. their blood is a direct indictment of the male monarch who sends them off to decease.
Furthermore. vernal misss are besides the victims of the city’s subjugation. They deepen the wretchedness of the society as the harlot’s expletive blinds the new-born babes and turns love itself into a disease-infested cutoff to decease. which is the intension of “marriage hearse” . William Blake uses the expletive metaphorically and uses two words blast and blight non merely to emphasize the atrocious consequences of such a disease. but besides to knock London’s subjugation to the hapless people. From the word pick and imagination in “London. ” we can strongly experience the subject of the verse form that William Blake expresses his abhorrence of the city’s wretchedness. religious darkness and repression in an angry tone.
In “Composed Upon Westminster Bridge. ” William Wordsworth portrays a beautiful and peaceable forenoon in London. which shows a different facet of London from the one William Blake describes. He uses accurate word pick. similes and personification to do images vivid and ocular. Take Line 4 as an illustration. The writer uses a simile to demo the beauty of London’s forenoon as a garment. In fact. the metropolis can non have on anything. but the writer seems to believe that the metropolis is more than merely a topographic point ; it is clean and pure and it is every bit beautiful as countryside. In lines 6-7. the writer enumerates what the talker sees from the span. such as ships. towers and theaters. and the writer personifies these buildings and ships to depict a crude skyline in the clear sky and demo a clear position from Westminster Bridge. In add-on. the content of these two lines complements and corresponds with the artistic construct of the morning’s clarity and pureness. Furthermore. in line 8. Wordsworth utilizations three words. bright. glittering and smokeless. to farther stand for the eternal clarity of the forenoon in the metropolis.
In lines 1-8. the writer portrays the beauty of the metropolis ; so. he compares the cityscape in the Sun to the description of vales and mountains–such beautiful natural scenes steeped by the Sun. The writer says that the Sun ne’er steeped any vale. stone or hill in his first luster more than it is now immersing the metropolis. The comparings show the author’s love of the landscape. Furthermore. since the Sun illuminates the landscape. the talker thinks the scenes of the landscape illuminate him. and he feels the composure of his bosom. We can experience that the talker connects his feelings to the feelings of the metropolis. and we can besides recognize the placid tone of this verse form from these comparings.
William Wordsworth uses personification in last three lines. The river semivowels at his ain will ; the houses seem asleep ; and the mighty bosom is lying still. The semivowel of the river in line 12 is the lone motion in this verse form. but the writer uses the word semivowel. non flow or watercourse. because semivowel shows that the river flows swimmingly and possibly seems to be actionless. In line 13. the “sleeping” houses besides show a tranquil atmosphere in London’s forenoon. In the last line. Wordsworth once more uses personification. The mighty bosom represents the city’s bosom. which is still because of the beautiful peace of that forenoon. The personification of these three lines all shows the lull of the forenoon in London.
In decision. although both of the two writers write about London. the two verse forms have wholly different tones and subjects. In “Composed Upon Westminster Bridge. ” William Wordsworth congratulationss. with a delighted and quiet tone. the peace and beauty of the metropolis and expresses his love of nature. which makes the metropolis beautiful. He makes the readers have a good feeling of London because he describes a specific moment–early in the morning–in London. In contrast. in “London. ” Blake writes with crisp word pick and with an angry tone to uncover the suffering lives of the lowest categories to show his abhorrence of London’s wretchedness and inhuman treatment. Blake leads the readers to experience the unfairness of his society and makes them recognize the rough facet of the metropolis life.
Note: Because of you did non learn these two verse forms in the category. so I have to look some analysis from the Internet and besides the notes from last twelvemonth. but the paper is written by my ain. I besides get some grammar aid from my high school English instructor ; because I do non acquire any opportunity to speak to you or the people in the authorship centre. So the essay might be some topographic points are misunderstood to the verse form. but I have tried my best to compose the essay.